Music Portal

Music may be a sort of art that involves organized and audible sounds and silence. it’s normally expressed in terms of pitch (which includes melody and harmony), rhythm (which includes tempo and meter), and therefore the quality of sound (which includes timbre, articulation, dynamics, and texture). Music can also involve complex generative forms in time through the development of patterns and combinations of natural stimuli, principally sound. Music could also be used for artistic or aesthetic, communicative, entertainment, or ceremonial purposes. The definition of what constitutes music varies consistent with culture and social context.

If painting are often viewed as a visible kind , music are often viewed as an auditory kind .

Allegory of Music, by Lippi

Allegory of Music, by Lorenzo Lippi


1 Definition

2 History

3 Aspects

4 Production 4.1 Performance

4.2 Solo and ensemble

4.3 Oral tradition and notation

4.4 Improvisation, interpretation, composition

4.5 Composition

Main article: Definition of music

See also: musical genre

The broadest definition of music is organized sound. There are observable patterns to what’s broadly labeled music, and while there are understandable cultural variations, the properties of music are the properties of sound as perceived and processed by humans and animals (birds and insects also make music).

Music is formulated or organized sound. Although it cannot contain emotions, it’s sometimes designed to control and transform the emotion of the listener/listeners. Music created for movies may be a exemplar of its use to control emotions.

Greek philosophers and medieval theorists defined music as tones ordered horizontally as melodies, and vertically as harmonies. Music theory, within this realm, is studied with the pre-supposition that music is orderly and sometimes pleasant to listen to . However, within the 20th century, composers challenged the notion that music had to be pleasant by creating music that explored harsher, darker timbres. The existence of some modern-day genres like grindcore and noise music, which enjoy an in depth underground following, indicate that even the crudest noises are often considered music if the listener is so inclined.

20th century composer Cage disagreed with the notion that music must contains pleasant, discernible melodies, and he challenged the notion that it can communicate anything. Instead, he argued that any sounds we will hear are often music, saying, for instance , “There is not any noise, only sound,”[3]. consistent with musicologist Jean-Jacques Nattiez (1990 p.47-8,55): “The border between music and noise is usually culturally defined–which implies that, even within one society, this border doesn’t always undergo an equivalent place; briefly , there’s rarely a consensus…. By all accounts there’s no single and intercultural universal concept defining what music could be .”

Johann Wolfgang Goethe believed that patterns and forms were the idea of music; he stated that “architecture is frozen music.”

See also: Music and politics

Main article: History of music

Figurines playing stringed instruments, excavated at Susa, 3rd millennium BC. Iran National Museum.

The history of music predates the word and is tied to the event of every unique human culture. Although the earliest records of musical expression are to be found within the Sama Veda of India and in 4,000 year old cuneiform from Ur, most of our written records and studies affect the history of music in Western culture . This includes musical periods like medieval, renaissance, baroque, classical, romantic, and 20th century era music. The history of music in other cultures has also been documented to a point , and therefore the knowledge of “world music” (or the sector of “ethnomusicology”) has become more and more wanted in academic circles. This includes the documented classical traditions of Asian countries outside the influence of western Europe, also because the folk or indigenous music of varied other cultures. (The term world music has been applied to a good range of music made outside of Europe and European influence, although its initial application, within the context of the planet Music Program at Wesleyan University, was as a term including all possible music genres, including European traditions. In academic circles, the first term for the study of world music, “comparative musicology”, was replaced within the middle of the 20 th century by “ethnomusicology”, which remains considered an unsatisfactory coinage by some.)

Popular sorts of music varied widely from culture to culture, and from period to period. Different cultures emphasised different instruments, or techniques, or uses for music. Music has been used not just for entertainment, for ceremonies, and for practical & artistic communication, but also extensively for propaganda.

As world cultures have inherit greater contact, their indigenous musical styles have often merged into new styles. for instance , the us bluegrass style contains elements from Anglo-Irish, Scottish, Irish, German and a few African-American instrumental and vocal traditions, which were ready to fuse within the US’ multi-ethnic “melting pot” society.

There is a number of music classifications, many of which are trapped within the argument over the definition of music. Among the most important of those is that the division between serious music (or “art” music), and popular music genre (or commercial music – including rock and roll, country and western , and pop music). Some genres don’t fit neatly into one among these “big two” classifications, (such as ethnic music , world music, or jazz music).

Genres of music are determined the maximum amount by tradition and presentation as by the particular music. While most serious music is acoustic and meant to be performed by individuals or groups, many works described as “classical” include samples or tape, or are mechanical. Some works, like Gershwin’s Rhapsody in Blue, are claimed by both jazz and serious music . Many current music festivals celebrate a specific music genre .

There is often disagreement over what constitutes “real” music: late-period Beethoven string quartets, Stravinsky ballet scores, serialism, bebop-era Jazz, rap, punk rock, and electronica have all been considered non-music by some critics once they were first introduced.

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